Que Smith ( US pop songwriter & producer) publisher: Air Control Publishing, Basajama Music, Christopher Garrett’s Publishing, Christopher Matthew Music, EMI-April Music, Inc., Ground Control Publishing, Hitco Music, Hitco South, Lil’ Jon 00017 Music, Ludacris Music Publishing Inc., Me & Marq Music, Music of Windswept, Songs of Windswept, Swole Music ( ASCAP) and TVT Music ( manufacturing and distribution company, do not add releases here) (in 2003, in 2004) produced for: BME Enterprises recorded at: Circle House Studios in North Miami, Florida, United States, Larrabee Sound West in West Hollywood, California, United States and Rondor Studios in Los Angeles, California, United States mixed at: Stankonia Recording in Atlanta, Georgia, United States part of: The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 290) recording of: Yeah! writer: Chris Bridges ( US rapper & actor), Sean Garrett, James Phillips ( producer & instrumentalist James Elbert Phillips), LaMarquis Jefferson ( producer & bass player from Atlanta, GA), Jonathan Smith ( US producer & rapper), Robert McDowell ( US hip-hop) and Patrick J. Needless to say, the time is right for the phrase 'just another' to be banned from use when discussing him.Assistant recording engineer: Sean Tallman recording engineer: Donnie Scantz ( American music producer), The Trak Starz and Mark Vinten miscellaneous support: Delicia Hassan artist & repertoire support: Shakir Stewart producer: Sean Garrett and Jonathan “Lil’ Jon” Smith ( US producer & rapper) mixer: John Frye ( hip hop / R&B mix engineer) and Jonathan “Lil’ Jon” Smith ( US producer & rapper) additional keyboard : L-Roc ( producer & instrumentalist James Elbert Phillips) bass: LaMarquis Jefferson ( producer & bass player from Atlanta, GA) additional background vocals: Sean Garrett and Lil’ Jon ( US producer & rapper) background vocals: Usher ( R&B singer-songwriter Usher Raymond Ⅳ) guest performer: Lil Jon ( US producer & rapper) and Ludacris ( US rapper & actor) phonographic copyright (℗) by: Arista Records, Inc. Numerous chart hits have spun off each of his albums. Another pair - the upbeat 'Caught Up' and the aptly titled 'Burn' - also rate as some of the vocalist's best moments yet.

A small batch of Jam & Lewis productions, including the effortlessly gliding 'Truth Hurts,' continue to help raise Usher's loverman stock. The following 'Throwback,' produced by Just Blaze, sounds like it was made for the sole purpose of trailing Alicia Keys' 'You Don't Know My Name.' Like that hit, 'Throwback''s sensitively treated soul sample provides a nostalgic tint that complements the wistful, regret-filled tone of the lyrics. 'Yeah!''s crunk-meets-R&B foundation, featuring an instantly addictive eight-note keyboard vamp and one of Usher's most muscular turns, is so absorbing that Ludacris' 1500th guest verse floats by with little notice. On the other side of the coin, the smartest move Usher makes here is in allowing the Lil Jon-produced 'Yeah!' to take its rightful place as the only club track any attempt at doing something stylistically similar would've failed miserably in its presence. At an hour in duration, it could be stripped of five songs and be far more powerful, especially since no one would have to do any wading to get to the meaty parts.

Confessions' most detracting factor is its length.

Usher confessions 2 tracklist